Ron Jarzombek is an interesting guy.
Let me back up and say this first: I should have investigated Blotted Science long ago. However, my busy schedule (drinking) only allows me to listen to so much new music, and since my handwriting is usually perfectly illegible (flawless pencil sketches of dicks doesn't count as handwriting), most of my great ideas that I have after 9 pm are generally unreadable or just plain old forgotten the next day. I imagine that Blotted Science is written on the back of some pizza box somewhere, thrown away carelessly seconds after I scribbled the words over the Red Baron's face with my wife's brand new eyeliner.
I'm a creature of habit, and I always throw trash away.
But lo, I did not get around to listening to this tome, this priceless piece of technical instrumetal, this delightful treasure until after 2011 wrapped up and yelled "Eat my dick!" over its metaphorical shoulder, marking the end of the days when I could construct a year-end list (I had already finished my year end list anyway, so it wouldn't have made that much of a difference). But I was looking all year for a tasty piece of technical, non-djent noodling that I could listen to while I jack off, and a great piece finally pops up and I totally balk on listening to it. What a fool I've been!
My balls are blue and full, and it's all my fault!
So, to reiterate, Ron Jarzombek is an interesting guy. You see, he seems to be the heavy hitter here in Blotted Science, and since he's a heavy hitter, he only associates himself with other heavy hitters, which is why Alex Webster (I don't have to say he's in Cannibal Corpse, do I?) and Hannes Grossman (Obscura, I think also ex-Necrophagist?) are palling around with him to make very fancy, shreddy, technical music. And make no mistake; this isn't some kind of deathy, blackened soundscape bullcrap like everybody is doing these days. Nay, this is music for people like me, who wear monocles when they listen to music, who talk about the preamps that their favorite players use, who watch frets like they were trying to break out of prison AND ONLY WE CAN STOP THEM.
Blotted Science have managed to do something which I've never really seen before, which is to incorporate 12 tone music into their repertoire. Impressive? Yes. But if you're thinking this is the Schoenberg style of 12 tone, with Babbit squares to help map out the retrograde inversion and flesh out tetrachords, you're wrong about that. In fact, Jarzombek utilizes an interesting (and unorthodox) schematic for the 12 tone method, which he describes on this here video. Watch the video if you're a remorseless fretwatcher like me, or if you like to see things flashing in a circular to semicircular pattern. This video has it all!
Better yet, if you want to get a really good idea for what Blotted Science is all about, you should scope out the video for the "A Sting Operation" suite that closes out the EP. It's almost ten minutes of WTF, complete with ridiculous animations that manage to rival the bafflingly bad cover art for the album.
That's my one complaint about the album, incidentally, is the cover art. They should really stick to something a little bit less perilous than 3d modeled creepy crawlies; it's just too easy to make look amateurish and laughable. I imagine that maybe somebody's nephew is a failed artist or something and they had him throw together some CGI spiders so that he can say that he's active. Which is fine; doing anything other than watch Law and Order is more than I do.
I'm just saying.
The Animation of Entomology is an exciting romp through the land of tech spells and shred fairies; indeed, the album is a foray into the fanciest and most upscale sphere that technical death metal has ever dared approach. Many bands talk mad shit about 12 tone and being fancy, but I think Blotted Science wins. And the best part? It's indicated that Ron Jarzombek lives in San Antonio, which means that I've got to go down there and get my "lurk outside of Ron Jarzombek's house" on!
Because I want to get a shirt.